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Faculty and Staff Profiles

Eugene Nesmith



Division of Humanities and the Arts


Theatre and Speech


CG 317

p: 212-650-6324


  • Profile

    Educational Philosophy

    In the context of a Liberal Arts Theatre Training Program, I believe that the most important thing that we as professors can offer students who want to work in the theater at the professional level, or to serve the larger community, is to prepare them intellectually and artistically with the tools that are necessary to give them a competitive edge. As an actor, not only is it necessary to know how to make strong choices and commit to those choices, but more importantly, you must have a strong sense of the self and presence, and know how to speak and use language, as well as being able to analyze and interpret text to reveal the uniqueness of each character. Thus, students must be trained in a wide range of acting techniques, from Stanislavsky for Naturalistic and Realistic texts, to Classical acting styles for Shakespeare and other classical texts, to non-realistic styles for texts such as Beckett and other absurd playwrights. Students must have a strong foundation in voice and speech, and physical training along with the components mentioned above to establish a will of steel, and drive and discipline that will lead to success no matter what field one desires to work in. This is what I try to achieve with the students that I come in contact with at City College.

  • Education


    MFA, University of California at San Diego, CA
    BFA, Theatre, City College of New York, NY

  • Courses Taught

    Acting, Directing, African-American Theatre, and Literature

  • Publications

    "What's Race Got to do With It?" American Theatre Article on the Wilson/Brustein Debate at Townhall, Village Voice

    "Wilson/Brustein Debate," Yale Theatre Journal 

    Essay on Langston Hughes and African American Humor 

    Black Comedy Nine Plays, a Critical Anthology, ed. by Pamela Faith Jackson and Karima Jackson

    Four Bad Sisters, published in A Sourcebook on African American Performance, ed. by Annemarie Bean

  • Additional Information

    Prizes and Awards

    1996 National Endowment of the Arts, Summer
    1996-97 Judge of the Village Voice Obie (Off-Broadway) Awards
    1996 Fellow in a seminar on "Performance Theory: Modern Drama and Postmodern Theatre" conducted by the distinguished director and critic Herbert Blau, at the Center For Twentieth Century Studies at the University of Wisconsin Milwaukee.

    Other Training

    Lincoln Center Theatre (5/22/95-6/10/95)
    Director's Workshop
    Shakespeare & Co. (12/30/88-1/28/89)
    Professional Acting Workshop


    Bare Knuckle by Art Becker for the Philadelphia Festival Theatre
    Suddenly Last Summer by Tennessee Williams at the University of Louisville
    Three Sisters by Chekhov
    You've Taken My Blues and Gone by Langston Hughes, adapted by the director
    Blues for Mister Charlie by James Baldwin
    Five on the Blackhand Side, by Charlie Russell
    Yerma, Federico Garcia Lorca
    Ma Rainey's Black Bottom by August Wilson, CCNY


    Off Broadway
    Let Me Live (Working Theatre)

    Off Off Broadway
    Titus Andronicus (Nada Theatre)
    By Land (Home for Contemporary Theatre)
    Every Moment (Frank Silvera's Theatre Workshop)
    The Flies (Network Theatre)
    Androcles and the Lion (Hartley House Theatre)
    Comments on For Colored Girls (Lincoln Center and Tour, 1/77-5/78)

    Author! Author! (Stage Manager)
    The Wiz (The Daredevil)
    The Warriors (Turn Bull)

    Professional Associations

    Black Theatre Network (1990-Present) American Federation of Televisions and Radio Artists (1980-Present) Screen Actors Guild (1983-Present) Actors Equity Association (1984-Present) 
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